YOUNG HEIDI - The celebrated soprano in her heyday. Follies is a blend of both, and the new production is rounded out with production numbers celebrating love's simple hope for young lovers, its extravagant fantasies for Ziegfeld aficionados, and its fresh lesson for the graying principals. I usually, once I've done it, I've explored it; I stay for a long time in shows. out the inadequacies of their marriages. "[17], "Loveland", the final musical sequence, (that "consumed the last half-hour of the original" production[18]) is akin to an imaginary 1941 Ziegfeld Follies sequence, with Sally, Phyllis, Ben and Buddy performing "like comics and torch singers from a Broadway of yore. Ms. PETERS: When I did "Sunday in the Park with George." To extend the show, it would have been necessary to negotiate new contracts with the entire company because of the Belasco's limited seating, it wasn't deemed financially feasible to do so. Ms. PETERS: Oh, you know, what's great about it is that there's no comparison. '"[46] The Times critic Irving Wardle stated "It is not much of a story, and whatever possibilities it may have had in theory are scuppered by James Goldman's book a blend of lifeless small-talk, bitching and dreadful gags". Were Still Here! Sally is bitter, having never been happy with Buddy, although he has always adored her. The show closed on July 1, 1972, after 522 performances and 12 previews. Directed by Michael Scott, the cast included Lorna Luft, Millicent Martin, Mary Millar, Dave Willetts, Trevor Jones Bryan Smyth, Alex Sharpe, Christine Scarry, Aidan Conway and Enda Markey. This show features the wistful torch song Losing My Mind, the wry showstopper Im Still Here, and Broadway Baby, that determined ode to making it in show business. "[14] "Follies contains two scores: the Follies pastiche numbers and the book numbers. Christine Baranski played Carlotta, and Lucine Amara sang Heidi. Rounding out the ensemble is Lawrence Alexander, Brandon Bieber, John Carroll, Sara Edwards, Leslie Flesner, Jenifer Foote, Leah Horowitz, Suzanne Hylenski, Danielle Jordan, Joseph Kolinski, Amanda. Host Scott Simon speaks with Peters about Stephen Sondheim's award-winning musical. Osborne, Robert. Group Sales Associate at Broadway at The National The director and choreographer was Casey Nicholaw. SOLANGE LAFITTE - A Broadway Parisienne. In a shabby yet sparkling atmosphere of bittersweet nostalgia, a wide variety of faded glamour girls -- the famous Follies beauties of years gone by -- laugh, reminisce, brag, boast, express regret, and perform the musical numbers which made them famous, trailed by the ghostly memories of their younger selves. After exiting, Buddy escorts the emotionally devastated[5] Sally back to their hotel with the promise to work things out later. Former MGM and onetime Broadway star Betty Garrett, best known to younger audiences for her television work, played Hattie. (Soundbite of song, "Broadway Baby") SIMON: Stephen Sondheim wrote "Broadway Baby" in the early 1970s for "Follies," the award-winning musical he created with James Goldman. It is 1971, and the iconic Weismann Theater, now a crumbling shell of its former glory, is about to be demolished to provide precious New York City parking space. The plot takes place in a crumbling Broadway theater, now scheduled for demolition, previously home to a musical revue (based on the Ziegfeld Follies ). The evening follows a reunion of the Weismann Girls who performed during the interwar period. A celebrated New York event since 2010 (Its a Hit! '"[10] Martin Gottfried wrote: "The concept behind Follies is theatre nostalgia, representing the rose-colored glasses through which we face the fact of age the show is conceived in ghostliness. Only Carlotta seems The concert starred Barbara Cook (Sally), George Hearn (Ben), Mandy Patinkin (Buddy), and Lee Remick (Phyllis), and featured Carol Burnett (Carlotta), Betty Comden (Emily), Adolph Green (Theodore), Liliane Montevecchi (Solange LaFitte), Elaine Stritch (Hattie Walker), Phyllis Newman (Stella Deems), Jim Walton (Young Buddy), Howard McGillin (Young Ben), Liz Callaway (Young Sally), Daisy Prince (Young Phyllis), Andre Gregory (Dmitri), Arthur Rubin (Roscoe), and Licia Albanese (Heidi Schiller). Paul Kerryson directed, and the cast starred David Durham as Ben, Kathryn Evans as Sally, Louise Gold as Phyllis, Julia Goss as Heidi and Henry Goodman as Buddy. 'A truly fantastic evening,' The Financial Times concluded, while the London Daily News stated 'The musical is inspired,' and The Times described the evening as 'a wonderful idea for a show which has failed to grow into a story. follies. Heidi Schiller, joined by her younger counterpart, performs "One More Kiss", her aged voice a stark contrast to the sparkling coloratura of her younger self. The AP quoted Michael Coveney of the Financial Times, who wrote: "Follies is a great deal more than a camp love-in for old burlesque buffs and Sondheim aficionados. ", "2017 Results | Critics' Circle Theatre Awards", "Standard Theatre Awards 2017 the Shortlist", "These are the winners of the 2017 Evening Standard Theatre Awards", Grammy Award for Best Musical Theater Album, How to Succeed in Business Without Really Trying, Sweeney Todd: The Demon Barber of Fleet Street, Cats: Complete Original Broadway Cast Recording, Les Misrables: The Complete Symphonic Recording, Smokey Joe's Cafe: The Songs of Leiber and Stoller, Laurence Olivier Award for Best New Musical, A Funny Thing Happened on the Way to the Forum, Best Worst Thing That Ever Could Have Happened, https://en.wikipedia.org/w/index.php?title=Follies&oldid=1151569839, Articles with dead external links from August 2021, All articles with specifically marked weasel-worded phrases, Articles with specifically marked weasel-worded phrases from May 2022, Articles with MusicBrainz release group identifiers, Articles with MusicBrainz work identifiers, Creative Commons Attribution-ShareAlike License 3.0, The orchestra, Nicholas Skilbeck and Nigel Lilley, 1971 - New York Drama Critics' Award for Best Musical, "Waiting for the Girls Upstairs" Ben, Sally, Phyllis and Buddy, Young Ben, Young Sally, Young Phyllis and Young Buddy, "Montage" ("Rain on the Roof"/"Ah, Paris! "Loveland" has dissolved back into the reality of the crumbling and half-demolished theater; dawn is approaching. The 2017 production was nominated for 10 Laurence Olivier Awards and won 2 for Best Musical Revival and Best Costume Design (by Vicki Mortimer). The clarion-voiced Philip Quast has three Olivier Awards to his name and is bound to be considered for a fourth in due course for his soul-stirring performance as Ben Stone in the National Theatre . You know, I'll do it for, like, at least a year and then beyond that. All the voices begin speaking and yelling at each other. Before she has a chance to really let loose, they are both called on to participate in another performance Stella Deems gets Sally, Phyllis, Emily, Hattie, and some others to perform an old number ("Who's That Woman? WAITERS, WAITRESSES, PHOTOGRAPHERS, SHOWGIRLS, etc. Sally tells Ben about her life with without his sneered jokes, his loveless love-making, his dreary Upgrade to PRO Follies (Musical) Plot & Characters | StageAgent days waiting around for the girls upstairs, but they're still here. "Review: Musical Theatre 1998 Sydney Gay & Lesbian Mardi Gras Festival". Broadway Baby Album Reviews, Songs & More - AllMusic SIMON: Bernadette Peters stars in "Follies" at the Kennedy Center in Washington, D.C. through June 19th. Angry and hurt, Phyllis considers whether to grant his request ("Could I Leave You?"). "[33], Among the reasons the concert was staged was to provide an opportunity to record the entire score. SIMON: When did you first realize that you could sing? Directed by Matthew Warchus with choreography by Kathleen Marshall, it starred Blythe Danner (Phyllis), Judith Ivey (Sally), Treat Williams (Buddy), Gregory Harrison (Ben), Marge Champion, Polly Bergen (Carlotta), Joan Roberts (Laurey from the original Broadway production of Oklahoma! Oh, you do? ON THE RECORD: Hats Off! A Survey of Follies Recordings - Playbill Elsewhere, Willy Wheeler (portly, in his sixties) cartwheels for a photographer. "Sondheim's 'Follies' closes despite packed performances; Run of the show ends with the expiration of special Equity deal". Their ghostly younger selves appear, watching them go. [5] Sally, Phyllis, Ben, and Buddy show their "real and emotional lives" in "a sort of group nervous breakdown".[6]. The four characters are "whisked into a dream show in which each acts out his or her own principal 'folly'". Tickets always were tough to come by. Whose Baby? Sally), telling us that if only juicy but drab Lucy and dressy Sondheim, too, has added and removed songs that he judged to be problematic in various productions. Bobby Vernon; Gloria Swanson; Jay Dwiggins; Martha Trick; Robert Milliken; Fritz Schade; Juanita Hansen; Sylvia Ashton; Helen Bray; Florence Clark; Phyllis Haver; William Irving; Edgar Kennedy; Myrtle Lind; And usually SIMON: I mean a lot of big stars like to get out after three or four months, right? She then tells Ben that their marriage can't continue the way it has been. Stephen Sondheim's music and lyrics combine emotional pain and witty pastiche with a deftness that James . wife, while poor miserable Sally moans in a smouldering torch number
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